Monday, May 2, 2011

Megan Landfair, Harpist

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I'm pleased to announce the launch of my talented friend Megan Landfair's website (designed by yours truly!).

She wanted it to be simple, chic, mostly black and white, clean, and effective.  A place to send potential customers to learn more.

We added a hint of color to make it pop, with the overall message being "you're classy, you're getting married, you need to hire me!"

So if you've got a wedding or special event that calls for a harpist, she's your gal!  Honestly, you couldn't ask for someone more down to earth and accommodating to work with.

http://meganlandfair.com/

Saturday, March 20, 2010

Tres Jolie Studios

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My good friend Megan asked me to design some business cards for her photography studio and food/art blog.  Her beautiful images speak for themselves, so it was really minimal design on my part - but here is the result!

Thursday, February 4, 2010

Fenix de los Ingenios website update

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We've been up and running for about a month now.  But the artwork for the February concert poster has just gone up!
www.fenixdelosingenios.com

Wednesday, October 28, 2009

Go Blue, Beat OSU

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Oddly, I've done a lot more graphics work for U of M since I've left, than when I was in school there. Currently, I'm working on the design for the Go Blue, Beat OSU game t-shirts. The first design was a retro simple look, with a derived image of the Big House (Michigan stadium for you non-wolverines) that aimed to feel bold, intimidating, yet understated, not flashy, reminiscent of the Roman Coliseum. While they liked the retro look, the resounding feedback was that it did not reflect the rivalry enough. Very true. So I went back to the drawing board. Sometimes it takes seeing one design before you can figure out what's missing to make it your ideal design. I coaxed some commentary out of them, and compiled a list of things they wanted the design to accomplish:

• Clearly brings the rivalry to life
• Goes beyond the basic "college sweatshirt" look
• Feels timeless, sophisticated and/or retro
• Incorporates the "block M" prominently
• Can be printed in a monotone color and still look good
• Can effectively translate to other applications, such as a poster

Design 1 and design 2 are above. I think the group is very happy with the second one. The detailing around the edges is an impression of the frieze work from the arch of the law quad, (off of South U. street) that I extracted from a photo. I try to incorporate details like this into my designs that help them more authentically portray what/who they represent.

Tuesday, October 27, 2009

Fenix de los Ingenios gets a facelift

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I've been putting in a lot of hours this week on a website job. I befriended the lovely directors of Fenix de los Ingenios, an early music ensemble out of Bloomington, Indiana, last year when I designed their season brochure and concert posters and postcards. They are ready to take the plunge of updating their old website, and I am delighted to be asked to do the project. Here is the old site: fenixdelosingenios.com. And below is a sneak peak at what the new design will look like. It's not all built yet, but hopefully within our three week timeline, I'll have it up. More to come!

Monday, October 26, 2009

The Torpedo Factory

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There is an old torpedo factory on the waterfront in Old Town, Alexandria, Virginia. Now, pretend you're an arts administrator, and try to imagine what is the best possible re-purposing use of a building like this, provided there is no longer a market for that many torpedos. A non-profit arts center, of course, would be your answer. I visited last weekend, and though the idea was simple, I was really taken with the implementation of it. Its name and logo reflects its original use, and its interior structure has retained much of its original character, as well. The inside space has be split into smaller units that are usually shared by two artists, and used as both work studios and gallery sales spaces. On a Sunday afternoon when I was there, many of the artists were working or selling work in their space.

A few good things happening here:

• An opportunity is created for a conversation between artist and patron; many times a patron is more likely to purchase art, and it means more to them, when they develop a connection with the artist

• Putting lots of artists in one space creates a nice community for the artists

• Putting lots of artists in one space creates a fertile ground for idea exchange and artistic progress, many times resulting in higher quality work

• Putting lots of artists in one space creates a better sales opportunity, as patrons can go and find them all easily. If the artists were spread all over town, people would never make it to all of them in a day.

• Putting lots of artists in one space creates more possibility for exposure to art that a patron would not seek out on his own. Ex. You go to look at the oil paintings, and discover you like ceramic sculpture.

• Provides a lower-cost option for an artist than having his own studio

• Surrounding community probably benefits from having hip cool artists around - people are attracted to the area and generate economic activity in the coffee shops, restaurants, clothing stores, etc. (Though, as a good student of Dr. Rushton, I have to disclaim about the ability to generate an exact price tag for the economic impact.)

• An old building was not torn down so a new one could go up - the old one, full of character, was used for a new purpose, retaining character in the neighborhood, but allowing for new activity to thrive

• Torpedo Factory does the marketing for the group, like an antique mall

• Torpedo Factory is in a prime location in Old Town, and on the Potomac River, that artists probably wouldn't have access to for work spaces otherwise (the views out some of the studio windows are breathtaking)

• Torpedo Factory uses the building for special event rentals, and has a gift shop, for ancillary income. (From this gift shop, I bought an embroidered patch for my backpack. I like souvenirs, and I like to show my support of places doing cool things.)


What are some other benefits we can think of? Or any major drawbacks?







I took these photos during my visit. Yes, I brightened them in Photoshop. Don't judge - I had to - it was dark in there.

Tuesday, October 20, 2009

Smithsonian packs a (free) party and brings home the bacon

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The Smithsonian was a zoo this weekend! (The cultural activity of my Oct 17; I'm almost up to date.) It was rainy outside, the museum was free, and the people came. There were children and strollers and umbrellas and wheelchairs. I was trying to decide if the museum staff was elated or frustrated.



My friend Stacie, who was visiting from out of town, commented that she really appreciated that all the Smithsonian museums are free. I said I definitely agree, but was surprised they were not more aggressive in collecting donations at the door - usually people will give a small amount when enjoying something free (this is how all NCTA folk festivals operate - what we call the "bucket brigade" - where volunteers wander the grounds and collect money in buckets). Maybe wandering is less appropriate in a museum, but they could have large donation signage and containers at the entrances. It occurred to me that maybe they don't solicit individual donations, because they receive a dominant amount of money from the government -- but I checked and there's a donate option on the Smithsonian website. I don't know how much of their income comes from public money versus private contributions, so I looked it up on GuideStar (a great resource). Here's the rundown: Their revenue was just under $493.5 million in 2008. Of this, $129 million was from public support, $119 million was from government contributions, $74 million came from program service revenue, $50 million came from membership, $43 million came from sales of inventory (gift shop, cafe, maybe?), and the rest was mostly split between assets sold, interest on savings, and special events (remarkably small at $262 thousand - recalling to mind a valuable lesson that special events are not all they're cracked up to be, in terms of relative earning potential). Their expenses came in at $406 million, giving them a solid bottom line in the black of about $85 million. So what have we learned? The Smithsonian is financially responsible, and has amazing free museums, with really high attendance, especially on rainy days.

We also ventured into the East building of the National Gallery of Art and perused the contemporary art floor. My favorite viewing was Matisse's Paper Cutouts, on special exhibit, the bright colors of which covered entire walls. He began to make them when he was recovering from surgery and painting was physically difficult.

Photos are of the main hall of the Natural History Museum, and an overhead shot of the Sea Life wing. I took both of these. The one below is me in front of the Smithsonian Castle, taken by Stacie.