Tuesday, September 27, 2011

Work, work

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Since I have last posted about work, I have worked a handful of contracts:  the Miami International Film Festival (twice! 2010 and 2011), Music from the Crooked Road: Mountain Music of Virginia Spring 2010 Tour, Jacob's Pillow Dance Festival, and the MTV National Get Schooled tour they asked me not to post my affiliation with publicly (but hey, it's been a little while?).  Then I went back to the NCTA and witnessed the start of a new National Folk Festival in Nashville, TN.  It's been a busy two years!

I have realized it's difficult to write about relevant issues in the arts management world at the organizations you work, without compromising the privacy of internal affairs, or integrity of external reputation, even if your goal is to comment from the perspective of professional, objective observer rather than employee.  While I always have commentary in my head about how a place is run, I'm not confident it's my place to make it public.  And in some places, it's against my contract, as I've been asked to sign agreements prohibiting any unapproved, public self-publishing about the organization.

At any rate, I would like to continue blogging.  (Is there anyone still out there reading?)  It will have to focus more on design, aesthetic, and notes from the road.  I miss grad school dearly and though I am working in my field, am afraid my arts administration knowledge is waning from its peak.  Do all former students experience this?

Photo is taken from the back of a friend's motorcycle, as we drove past the Jacob's Pillow Dance Festival sign, on the way to swim in a pond on a day off.  The Berkshires were sure a glorious place to work and spend a summer.

Monday, May 2, 2011

Megan Landfair, Harpist

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I'm pleased to announce the launch of my talented friend Megan Landfair's website (designed by yours truly!).

She wanted it to be simple, chic, mostly black and white, clean, and effective.  A place to send potential customers to learn more.

We added a hint of color to make it pop, with the overall message being "you're classy, you're getting married, you need to hire me!"

So if you've got a wedding or special event that calls for a harpist, she's your gal!  Honestly, you couldn't ask for someone more down to earth and accommodating to work with.

http://meganlandfair.com/

Saturday, March 20, 2010

Tres Jolie Studios

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My good friend Megan asked me to design some business cards for her photography studio and food/art blog.  Her beautiful images speak for themselves, so it was really minimal design on my part - but here is the result!

Thursday, February 4, 2010

Fenix de los Ingenios website update

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We've been up and running for about a month now.  But the artwork for the February concert poster has just gone up!
www.fenixdelosingenios.com

Wednesday, October 28, 2009

Go Blue, Beat OSU

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Oddly, I've done a lot more graphics work for U of M since I've left, than when I was in school there. Currently, I'm working on the design for the Go Blue, Beat OSU game t-shirts. The first design was a retro simple look, with a derived image of the Big House (Michigan stadium for you non-wolverines) that aimed to feel bold, intimidating, yet understated, not flashy, reminiscent of the Roman Coliseum. While they liked the retro look, the resounding feedback was that it did not reflect the rivalry enough. Very true. So I went back to the drawing board. Sometimes it takes seeing one design before you can figure out what's missing to make it your ideal design. I coaxed some commentary out of them, and compiled a list of things they wanted the design to accomplish:

• Clearly brings the rivalry to life
• Goes beyond the basic "college sweatshirt" look
• Feels timeless, sophisticated and/or retro
• Incorporates the "block M" prominently
• Can be printed in a monotone color and still look good
• Can effectively translate to other applications, such as a poster

Design 1 and design 2 are above. I think the group is very happy with the second one. The detailing around the edges is an impression of the frieze work from the arch of the law quad, (off of South U. street) that I extracted from a photo. I try to incorporate details like this into my designs that help them more authentically portray what/who they represent.

Tuesday, October 27, 2009

Fenix de los Ingenios gets a facelift

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I've been putting in a lot of hours this week on a website job. I befriended the lovely directors of Fenix de los Ingenios, an early music ensemble out of Bloomington, Indiana, last year when I designed their season brochure and concert posters and postcards. They are ready to take the plunge of updating their old website, and I am delighted to be asked to do the project. Here is the old site: fenixdelosingenios.com. And below is a sneak peak at what the new design will look like. It's not all built yet, but hopefully within our three week timeline, I'll have it up. More to come!

Monday, October 26, 2009

The Torpedo Factory

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There is an old torpedo factory on the waterfront in Old Town, Alexandria, Virginia. Now, pretend you're an arts administrator, and try to imagine what is the best possible re-purposing use of a building like this, provided there is no longer a market for that many torpedos. A non-profit arts center, of course, would be your answer. I visited last weekend, and though the idea was simple, I was really taken with the implementation of it. Its name and logo reflects its original use, and its interior structure has retained much of its original character, as well. The inside space has be split into smaller units that are usually shared by two artists, and used as both work studios and gallery sales spaces. On a Sunday afternoon when I was there, many of the artists were working or selling work in their space.

A few good things happening here:

• An opportunity is created for a conversation between artist and patron; many times a patron is more likely to purchase art, and it means more to them, when they develop a connection with the artist

• Putting lots of artists in one space creates a nice community for the artists

• Putting lots of artists in one space creates a fertile ground for idea exchange and artistic progress, many times resulting in higher quality work

• Putting lots of artists in one space creates a better sales opportunity, as patrons can go and find them all easily. If the artists were spread all over town, people would never make it to all of them in a day.

• Putting lots of artists in one space creates more possibility for exposure to art that a patron would not seek out on his own. Ex. You go to look at the oil paintings, and discover you like ceramic sculpture.

• Provides a lower-cost option for an artist than having his own studio

• Surrounding community probably benefits from having hip cool artists around - people are attracted to the area and generate economic activity in the coffee shops, restaurants, clothing stores, etc. (Though, as a good student of Dr. Rushton, I have to disclaim about the ability to generate an exact price tag for the economic impact.)

• An old building was not torn down so a new one could go up - the old one, full of character, was used for a new purpose, retaining character in the neighborhood, but allowing for new activity to thrive

• Torpedo Factory does the marketing for the group, like an antique mall

• Torpedo Factory is in a prime location in Old Town, and on the Potomac River, that artists probably wouldn't have access to for work spaces otherwise (the views out some of the studio windows are breathtaking)

• Torpedo Factory uses the building for special event rentals, and has a gift shop, for ancillary income. (From this gift shop, I bought an embroidered patch for my backpack. I like souvenirs, and I like to show my support of places doing cool things.)


What are some other benefits we can think of? Or any major drawbacks?







I took these photos during my visit. Yes, I brightened them in Photoshop. Don't judge - I had to - it was dark in there.