They already had one performance earlier in the day, the festival was nearly empty of its visitors, and the rain location for the concert was in a building a bit off the beaten path; suffice it to say I had low expectations for the turnout. Assigned to serve as the coordinator and presenter, I showed up half hour before the start of the set, prepared to say, "You know, you guys don't have to perform; I'm so sorry to say there may not be an audience to appreciate your songs." I didn't get a couple words into this sentence when they said, "Oh, not to worry! We're used to singing for ourselves! It'll be fine! And someone might show up to listen - you never know!" So they went on, and slowly but surely, people started to trickle in the warehouse. They pulled up chairs and the singers circled around them; an inverted and encompassing experience for listeners. Grandchildren showed up with bright eyes; neighbors came. I sat and listened quietly. They sang about their town, their traditions, the sea, the fishermen, and the Schooner Ernestina that they all volunteer and raise money to restore. They forgot some of the words to their songs, but the inside of the warehouse glowed with their spirit. And this is what it reminded me: festivals have different purposes. The NCTA folk festivals serve to bring artists and types of music to towns that otherise wouldn't be exposed to them; they focus on access and exposure; they bring in something new. The Working Waterfront Festival serves to encourage a community to come together and discuss its working culture, political issues related to commercial fishing, and celebrate its unique identity; it relishes and renews something old. So this is what all people who work in events, festivals, and arts orgs should ask themselves: what is the purpose of this event, who is it really for, and measure its success by how well it serves that purpose and those people. The Working Waterfront Festival left me feeling very satisfied. And I'm not even from New Bedford.
Sunday, October 18, 2009
Working Waterfront Festival
On September 25-27, I traveled with an NCTA co-worker to help out at the Working Waterfront Festival in New Bedford, Massachusetts. It was sunny Saturday and rained hard on Sunday (part of reporting the how-it-went of any outdoor festival inevitably includes a weather report). During the very last dreary hours on Sunday, there was scheduled to be the second performance of the New Bedford Harbor Sea Chanty Chorus. 
They already had one performance earlier in the day, the festival was nearly empty of its visitors, and the rain location for the concert was in a building a bit off the beaten path; suffice it to say I had low expectations for the turnout. Assigned to serve as the coordinator and presenter, I showed up half hour before the start of the set, prepared to say, "You know, you guys don't have to perform; I'm so sorry to say there may not be an audience to appreciate your songs." I didn't get a couple words into this sentence when they said, "Oh, not to worry! We're used to singing for ourselves! It'll be fine! And someone might show up to listen - you never know!" So they went on, and slowly but surely, people started to trickle in the warehouse. They pulled up chairs and the singers circled around them; an inverted and encompassing experience for listeners. Grandchildren showed up with bright eyes; neighbors came. I sat and listened quietly. They sang about their town, their traditions, the sea, the fishermen, and the Schooner Ernestina that they all volunteer and raise money to restore. They forgot some of the words to their songs, but the inside of the warehouse glowed with their spirit. And this is what it reminded me: festivals have different purposes. The NCTA folk festivals serve to bring artists and types of music to towns that otherise wouldn't be exposed to them; they focus on access and exposure; they bring in something new. The Working Waterfront Festival serves to encourage a community to come together and discuss its working culture, political issues related to commercial fishing, and celebrate its unique identity; it relishes and renews something old. So this is what all people who work in events, festivals, and arts orgs should ask themselves: what is the purpose of this event, who is it really for, and measure its success by how well it serves that purpose and those people. The Working Waterfront Festival left me feeling very satisfied. And I'm not even from New Bedford.
They already had one performance earlier in the day, the festival was nearly empty of its visitors, and the rain location for the concert was in a building a bit off the beaten path; suffice it to say I had low expectations for the turnout. Assigned to serve as the coordinator and presenter, I showed up half hour before the start of the set, prepared to say, "You know, you guys don't have to perform; I'm so sorry to say there may not be an audience to appreciate your songs." I didn't get a couple words into this sentence when they said, "Oh, not to worry! We're used to singing for ourselves! It'll be fine! And someone might show up to listen - you never know!" So they went on, and slowly but surely, people started to trickle in the warehouse. They pulled up chairs and the singers circled around them; an inverted and encompassing experience for listeners. Grandchildren showed up with bright eyes; neighbors came. I sat and listened quietly. They sang about their town, their traditions, the sea, the fishermen, and the Schooner Ernestina that they all volunteer and raise money to restore. They forgot some of the words to their songs, but the inside of the warehouse glowed with their spirit. And this is what it reminded me: festivals have different purposes. The NCTA folk festivals serve to bring artists and types of music to towns that otherise wouldn't be exposed to them; they focus on access and exposure; they bring in something new. The Working Waterfront Festival serves to encourage a community to come together and discuss its working culture, political issues related to commercial fishing, and celebrate its unique identity; it relishes and renews something old. So this is what all people who work in events, festivals, and arts orgs should ask themselves: what is the purpose of this event, who is it really for, and measure its success by how well it serves that purpose and those people. The Working Waterfront Festival left me feeling very satisfied. And I'm not even from New Bedford.
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